RS: This is a follow-up interview, but for people who are not already familiar with your work, tell us what kind of books you write and what readers should expect from your stories? What is your latest book about?
LM: I mostly write character-driven science fiction and contemporary or historical fantasy (as opposed to epic fantasy), but I’ve also written more mainstream works, romantic suspense, and a screenplay or two.
My latest release, Strange Ladies: 7 Stories, is a collection of science fiction, fantasy, and horror stories published in top magazines and anthologies worldwide. I’m gratified to see the response so far has been awesome since I cherry-picked them from among my published short fiction.
RS: What was the duration of the writing process for Strange Ladies?
LM: Since this is a collection, the answer is difficult to summarize. Some stories are what I call “a gift from the gods,” landing almost full-blown on the page. They’re a gift because a story seldom happens that way.
But the core idea, the inspiration usually does, and then the hard work of making the story happen proceeds from there. I’ve taken three weeks to finish a story; I’ve taken six months and more.
As for these stories, some go back fifteen years. Yeah, I’ve been around for a long time, was building up my career. A few years ago, disgusted with New York Big Publishing and hit with a personal set-back, I dropped out of the business altogether and spent some years studying and writing screenplays.
Now that I’m back, New York Big Publishing is even worse than it was before. Thank God for independent publishing. Viva la revolution! Not that taking your career into your own hands is ever easy.
I re-edited every story in Strange Ladies to the quality standards I hold today after fifteen years of studying fiction.
RS: To shift to a story of yours that’s already sold to the movies, when Tomorrow's Child is adapted to film, and the producers ask for your dream cast, what will you say?
LM: At the beginning, there was talk at Universal Studios of Dennis Quaid as the father, Kirsten Dunst as the daughter. But really, as a full-time professional writer with forthcoming new books and the executive of a growing ebook empire, I don’t have time to follow all the new faces who might be right. (Though I do receive The Hollywood Reporter every week. Apparently I’ve been comp’d a free subscription for life. I have no idea how that happened.)
Anyway, producers never ask the opinion of print authors or screenwriters about anything.
RS: Stephen King often makes a cameo in films adapted from his work. Stan Lee is also enjoying doing that these days. What supporting role would you like to play in the film adaptation of Tomorrow's Child?
LM: In the scene in which Jack Turner confronts his spoiled society wife at a fancy brunch, and she tells him she knows that their daughter Angela is now a freak and that Jack should have let her die, and Jack smacks her on the face, I would definitely make a cameo as one of the society ladies at the brunch table, dripping in gold and diamonds, and dining on a caviar omelet and champagne.
The big studios always serve the real thing during food scenes.
RS: For a writer, word of mouth is everything. What was the last book you read that you enjoyed so much that you wanted to share it with everyone you know?
LM: I’ve got a TBR List as long as my arms and legs laid end-to-end. (Ooh. That’s a creepy image.) Let me rephrase. I’ve got a TBR list a kilometer long. I’ll have to get back to you on this one.
RS: As of this writing, the trend in publishing is toward series novels as opposed to stand-alone books. Do you have a series going?
LM: Yes, The Garden of Abracadabra is Volume One of the Abracadabra Series, and The Labyrinth of Illusions, Volume 2, is presently in R&D. Celestial Girl (A Lily Modjeska Mystery) is a miniseries of four books, which are done, though potentially Lily could go on. And I’ve got a new High Concept Science Fiction in the works.
As a reader, I like stand-alone books; I also like series. It depends on the book.
Authors and publishers love series because once the author has created a complex, multi-dimensional world, living and breathing characters, and plot arcs extending beyond what should be a self-contained, complete story in the first book, what’s not to love about creating more? From a marketing standpoint, a successful series will keep the backlist in print and win new readers of the later books. Always a good thing.
RS: Saul Bellow said, “You never have to change anything you got up in the middle of the night to write.” Where do ideas for books come from, and where are you and what are you typically doing when inspiration strikes?
LM: Hah! That’s a great Saul Bellow quote. And often, but not entirely true. Everything needs more work in the morning.
That said, there’s no typical inspiration for me other than paying attention to life, people, what interests me intellectually and emotionally, searching constantly for information, and my own feelings, intuitions, experiences, and observations.
A fine and unusual example of how pure inspiration struck me instantly—after half a dozen years of preparation—is in my 30-day blog The Story Behind The Story That Sold To The Movies, included in the ebook of Tomorrow's Child.
RS: Brett Easton Ellis once said, “Do not write a novel for praise. Write for yourself; work out between you and your pen the things that intrigue you.” Indie publishing phenom Amanda Hocking has said that it messed with her head a bit when she realized so many people were going to read the books she’s now writing. Now that Lisa Mason is rapidly gaining recognition in the publishing world, has an established fan base anticipating her next novel, and is being talked about in the highly-reverent third person, will reader expectations influence how and/or what she writes? Or will she hold to Ellis’ suggestion?
LM: Oh, Ellis has it absolutely right for any serious writer—and by serious I mean if you write because you must, because your talent drives you to, because you always have something to say.
Edith Wharton, for example, wrote about women exiled to the wilds of snowy Massachusetts, women in the thick richness of New York high society, and women in some pretty good ghost stories. But in all the variety of her writing, the story was always an Edith Wharton story, the writing was always her vigorous Edith Wharton style, and the underlying theme was always a woman in an unhappy marriage. Always.
My writerly obsession is with self-realization, how life and circumstances may try to thwart you from what must be your true destiny, how you must overcome all the odds to realize your true self and find your personal power. My new book, Strange Ladies: 7 Stories, is a good example. The stories are wildly different but in each, the heroine empowers herself against the odds.
As a writer, you can only hope readers will share your obsessions. But if you chase after popularity and you’re not true to yourself, the readers will sense this, too. So what’s the point?
RS: The world of indie authors is the new slush pile. What are you going to say/do when a traditional New York publisher and/or agent contacts you and asks for a meeting?
LM: Well, I’m not quite an indie author, Ryan, I’ve been published by Bantam, Random House, Avon, William Morrow, Eos, Omni Magazine, Asimov’s Science Fiction Magazine, and more.
I’ve got three blogs starting in February, 2013 on www.lisamasontheauthor.com titled “Crunching the Publishing Numbers,” which will provide you with a summary of the state of Big Publishing.
RS: Someone once said, and it may have been my dad, “If you fail to plan, you plan to fail.” Where do you want your writing career to be in five years’ time?
LM: The Abracadabra Series is a happening thing; I can definitely see two or three more books in the next five years, and more books in the years to come. My new Top Secret High Concept Science Fiction will definitely go on for at least five years. I have a dystopian fantasy concept on the drawing board. Plus short stories set in all those worlds.
I have four backlist books, my early Avon cyberpunks and my later Bantam science fiction epic, Pangaea, both of which will take time to develop as ebooks. [2016 Note: Arachne, the first of the cyberpunks is up and running!]
Print books of all the Bast Books ebook titles are definitely in the works, but take time and a capital investment to do it right. I’m hoping that will happen within the next five years.
I may return to New York Big Publishing; I really don’t know. No one knows what Big Publishing will look like in five years. [2016: I'm back!] I’d sure like to see Tomorrow's Child as a movie but, knowing Universal, their product will bear almost no resemblance to my very personal story and might make me look bad. So I don’t know if I want that as much as anyone may think.
Finally, I sincerely hope we do not find ourselves in World War Three within the next five years.
And there you have it, Ryan my friend! Thank you for this follow-up interview!
Visit me on my Facebook Author Page, on my Facebook Profile Page, on Amazon, on Goodreads, on LinkedIn, on Twitter at @lisaSmason, and at Science Fiction and Fantasy Writers of America.
Here’s the link to Ryan’s site: http://authorryanschneider.blogspot.com/2013/09/10-follow-up-questions-with-pkd-award.html
If you enjoy a work, please “Like” it, add five stars, write a review on the site where you acquired it, blog it, Tweet it, post it, and share the word with your family and friends.
Your participation really matters.
Thank you for your readership!
|Summer of Love, A Time Travel||The Gilded Age, A Time Travel|
|The Garden of Abracadabra, Volume 1 of the Abracadabra Series|
|Strange Ladies: 7 Stories|
|Celestial Girl (A Lily Modjeska Mystery) Books 1, 2, 3, and 4|
|Every Mystery Unexplained||Daughter of the Tao|
|My Charlotte: Patty's Story|
|Bast Collectible Books|
|Castles in the Sky Interview||Festivale Interview|
|Art by Tom Robinson|
For rights and publicity inquiries, please go to The Media Room.